An in-depth look at sex and Space Opera/Science Fiction

Literary classification owes something to Northrop Frye's theory of types in Anatomy Of Criticism (1957), where 'low comedy' is 'slapstick', or 'custard pie in the face' humor, which is deemed a form appreciated by a lower level of conscious participation in the drama medium, while 'high', or 'mimetic comedy', is defined in modern literary circles as 'camp', because the comedic content resides in what is perceivable by the 'adult', rather than the 'child'; for example, Hollywood, Babylon, 'Hays code' (1930-67) imposed by President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established 'moral grounds' for how women should be filmed for the cinema audience:

'. . . women, in love scenes, at all times have 'at least one foot on the floor' (in other words, no love scenes in bed).'1

Historically, Babylon (c. 4000 B.C.) was the capital city of the Persian Empire, although in the Bible 'Babylon' is described as a 'a woman' who represents host womb enslavement in parasitism for war: 'Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.' (Rev: 17. 5) The Western model of democracy was Greece, where women's host wombs were institutionally enslaved in homosexuality and pederasty for the spread of war and its contagions, which by the late 20th century had produced the HIV/AIDS' 'incurable killler disease' as a 'biological weapon' through men's mixing of blood, shit and semen in each others' anuses in mockery of human sexual reproduction. In Christian iconography, Jesus' mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot. Consequently, the Hollywood, Babylon, 'Hays code', which insists that women keep a 'foot on the floor' during bedroom scenes in movies is biblical:

'You shall crush the head of the serpent with your foot, but he shall bruise your heel.' (Gen: 3. 15)

Eve, the first woman, was told by God her 'seed' would have 'enmity' with the 'serpent's seed', before Redemption would occur. Eve, the first woman, and the first man, Adam, were expelled from the paradise of their original home, Eden, after Satan, the angel in heaven, who was turned into a serpent for rejecting God's plan that the human host would be greater than the angelic, gave to Eve the 'fruit of the tree of the knowledge of good and evil', that is, death, saying 'You shall be as gods.' (Gen: 3. 5) God had given to Eve and Adam the 'fruit of the tree of life', which is immortality, and told Eve she'd experience labor pain, while Adam must labor before Redemption after expulsion. Jesus' birth uncontaminated by male semen from his mother, the Virgin Mary, was God's 'foot', because women's sexual reproduction with each other to produce liberating human brainpower to raise themselves from the floor of the bedroom to the planets and stars is 'futanarian', that is, women have their own penis' semen, so God tells Eve her 'seed' will have 'enmity' with the serpent's, because Satan wants her species to remain Earthbound.

Jesus' crucifixion, Resurrection and Ascension to heaven after his death prefigures the Resurrection and Ascension of 'woman's seed' through sexual reproduction of women's futanarian liberating brainpower. If the mass media 'edutainment' system of cinema and 'TV' doesn't depict 'woman's seed', then the daughters of Eve aren't educated, but blind unconscious ignorance in occlusion damns their brainpower as futanarian women's sexual reproduction isn't admitted. Hollywood, Babylon's damning of women's 'foot' resulted in its male brained Empire of the 'edutainment' industry, which was the 20th century's equivalent of the Roman Empire that killed Jesus as a 'dissident', because he was the prefiguration of futanarian 'woman's seed', that is, God's law of love, rather than God's law of impermissibles:

'Love your neighbor as you love yourself.' (Mk: 12. 31)

Jesus represents the rejected woman, because the human host womb of the futanarian species of women is what the male brained Empire of Rome and Hollywood, Babylon, don't want. Christianity, which developed out of Jesus' crucifixion, after the human host was betrayed by Jesus' disciple at his 'Last Supper', isn't Jesus' teaching; because it rejects God's 'foot' also. Although Jesus taught that a Holy Spirit would teach after his death, Christianity hasn't accepted the Holy Spirit, because it hasn't converted and repented from host womb enslavement of women for homosexuality in pederasty and war against 'woman's seed', but rather has embraced the 'politically correct' philosophy of the United States of America, which says that women have equality with homosexuals. However, lesbian feelings are 'normal' between futanarian women, but homosexual feelings aren't, that is, women aren't homosexual, although men are, and men produced the 'biological weapon', HIV/AIDS, keeping women in fear to the ring slavery of monogamy, which is Christianity.

Although faithfulness is perceived as the essence of Christianity, women in Islam are 'the faithful', because Moslem marriages are permitted four wives, that is, women's futanarian sexual reproduction of liberating human brainpower between themselves is permissible, because Islam accepts Jesus' teaching that God's law is based on love, rather than impermissibles. Consequently, the women of Islam are 'love', rather than prohibited, whereas Christianity's 'political correctness' says that men, who can't sexually reproduce with each other, according to the 'edutainment' industry, share the voting rights in democracy with women, who can sexually reproduce with each other, that is, men constitute 0% of the reproducing vote, while women are potentially 100%. Consequently, men vote for homosexuality in pederasty and war against 'woman's seed' in order to keep power, which is Satanism, whereas Islam is Christian in structure, although Moslem nations are criticized for dictatorship and religious dictatorship, because men keep power over the humans there too.

Feminism is presented by the 'Greek' model Western democracies as 'politically correct', because women are equal with men. However, the basis for that equality is invariably presented in 'gay' terms. Homosexual 'lesbian' women's sexuality is 'abnormal' and abhorrent to moralists, although tolerated by a 'liberal society' that 'believes in equality for all', which is represented as a triumph of democratic justice. Although women aren't 'lesbian' at all and heterosexual couples in male braining are in fact transvestism. Hollywood, Babylon's removal of 'woman's seed' from the 'big picture' of the cinema was followed by John Logie Baird's invention of the 'TV' in 1929 as a symptom of heterosexuality's single male braining of humanity as a transvestite 'TV' wearing each others' clothes in the absence of women. Consequently, feminists' 'political correctness' is women are equal with the male brained Empire, because they're male brained, that is, 'lesbian' tendencies are acceptable as homosexuality, whereas neither represent women's futanarian humanity's sexuality, while heterosexuality is 'TV' transvestism, that is, feminism isn't 'politically correct' from a human woman's point of view.

Humans are ephemeral because men are the host womb 'parasitoid' of the species of futanarian 'woman's seed', that is, although women are still able to produce civilization, culture and art from their host wombs, the parasites devour it in war. HIV/AIDS' 'incurable killer disease' of the late 20th century, which results from homosexuality in pederasty for war against 'woman's seed', is symptomatic of medical science's neglect, that is, a cure would presage God's promised Redemption and a restoration of immortality to humanity. Consequently, men's rejection of women's futanarian mode of sexual reproduction and so their liberating brainpower for medical technologies' development is a preference for ephemerality in slavery. High mimetic 'camp' dramas are what adults find humorous in the 'concentration camp' environment of 'TV' transvestism. There aren't any human futanarian women in cinema or 'TV' series, because knowledge of the women's penis would complicate the scenes. Moreover, human sexuality would perhaps interfere with continuity and manageability, that is, the various tight forms of clothing worn by women; for example, bikinis, etc., would result in women's erections becoming commonplace, which for men would make the picture difficult to control.

During the Boer wars (1880-1, 1899-1902) against the predominantly Dutch settlers in South Africa, the British put the Boers into 'concentration camps' where they starved and died. The term 'camp' was applied to the National Socialist (Nazi) Party's 1933 elected German Chancellor, Adolf Hitler, who put the Jews into 'concentration camps' with the same result. 'Camp' humor derives from the 'adult' perception that men are having problems controlling people. Consequently, men aren't 'adults', because they want to control humans. Or, to put it another way, the humans are controlled by aliens.

The science fiction TV series Star Trek: The Original Series (1965-8) is often labeled 'camp', that is, adults laugh because it represents an attempt to control the women's penis, which would be uncontrollable in terms of continuity and management for filmmakers who weren't constrained by the 'concentration camp' realpolitik of their situation. In other words, they'd have to admit the woman's penis existed, which would result in human sexual reproduction taking place. Irrespective of alegations of pornographic content, as the women of Star Trek: The Next Generation (1987-1994), for example, became ever more voluptuous and sexually appetizing, the 'camp' element derives from the adult's perspective that the women's penis is being controlled so that human sexual reproduction can't occur, which is hilarious from an adult human's perspective.

Actress Jeri Ryan, who was Seven of Nine in Star Trek: Voyager (1995-2001), appears in figure hugging silver costumerie throughout as a member of the crew of the starship. She is 'Seven of Nine' because her human character, Annika Hansen, was 'assimilated',2 which is the method employed by the Borg extraterrestrial civilization and culture to establish mediated control over newly absorbed life forms. Although 'Seven of Nine' implies 'others', the Borg are more representative of transsexual surgery, or 'trannies', than futanarian human sexual reproduction between women in polygamous familial relationships, which for Seven would be the other eight Borg she's consigned to. Borg 'assimilation' is surgical, that is, the Borg 'cube', which approximates to a starship, resembles a transistor radio or 'tranny', because symbolically it's even further away from the species of women's futanarian mode of human sexual reproduction than is 'TV' transvestism.

The 'camp' aspect to Jeri's apearances on Star Trek: Voyager is that, because she's 'Borg', Jeri is ostensibly established as a 'tranny' in her relationships with the other members of the crew of the starship. Men want to control human sexual reproduction to the extent that humans can't sexually reproduce with each other, that is, women's futanarian humanity isn't discernibly present on the screen in Star Trek: Voyager, so Seven of Nine's regulation figure is intended to depict the success of her transgender surgery as a Borg 'tranny', which is the standard surgical procedure deployed in the USA when a futanarian human is born and identified as 'abnormal'.

The 'Hays code' prohibited the woman's penis from appearing as long ago as 1930 after D.W. Griffith made the first movie, Old California (1910), in Hollywood, Los Angeles, on the USA's West coast, which is why adult humans find scifi 'camp' hilarious. However, women aren't ridiculous, and neither is the science fiction genre, which means that 'concentration camp' is devised for cruel humorists. 'Camp' scifi is designed for adult aliens to laugh at the absence of the human women's penis and mock their futanarian species' futile existence as the 'woman's seed' that 'can't get it up'. Science fiction films are made with the express intention of mocking the futanarian future, that is, the various guises in which Star Trek appears mock 'woman's seed' Satanically as extinct, although hers is 'God's plan'. The human race of women is designed to progress to the stars and planets as 'woman's seed' through her own sexual reproduction of brainpower for immortality conferring medical technologies, and liberating labor saving devices, for example, Lt. Commander Data, an 'android' crew member aboard the USS Enterprise starship in Star Trek: The Next Generation, saves the crew labor. Data represents Christian Salvation, because his avowed wish is to become more human, although not ephemeral, which is the result of host womb parasitism in slavery, rather than a defining attribute of humans. Consequently, women's desire for immortality is ridiculed by Satanism's usurping of the science fiction genre, which is concerned with envisioning the future of humanity. The origins of the 'serpent's seed' is depicted in the biblical story of Eve. A viral life form inveigled itself into women's host wombs to steal futanarian humanity's penis' semen and replicate itself as a parasite to kill its host, and the late 20th century HIV/AIDS' 'incurable killer disease' that infects body and brain was the 'biological warfare' aspect of its 'parasitoid' functionality.

The medium of science fiction is subverted in Satanism to ridicule the human race through extrapolating the future as conflict and/or war between men, while women's almost total absence, that is, human futanarian sexual reproduction, is symptomatic of the parasite's 'parasitoid' devouring of humanity. Although novels like Ursula K. Le Guin's The Left Hand Of Darkness (1969) and Joanna Russ's The Female Man (1974) describe hermaphroditism as basic human nature, it's presented as science fiction, that is, ridiculed, because for Satanists reality is the extrapolated present, which is conflict and/or war. In other words, the subversion of fiction predicates the subverted reality and vice versa, that is, humans are presupposed to be ridiculous insofar as Satanist SF posits the eternal ubiquitousness of host womb slavery in ephemerality through homosexuality in pederasty's war against 'woman's seed'. In simple terms, SF depicts 'concentration camp' which is why film and 'TV' narratives with a scifi content seem high 'camp', that is, they induce hilarity amongst audiences, because of the ludicrous devices deployed by the 'edutainment' industry to avoid mentioning the exterminated human penis:

'Listen, don't mention the war! I mentioned it once, but I think I got away with it all right.'3

Although the October 24, 1975, 'The Germans' episode of the British Broadcasting Corporation's (BBC) TV situation comedy about a hotel, Fawlty Towers (1975-9), is funny to audiences in Britain, the joke is about German sensitivity to their role as exterminators of the Jews after the 1933 election of Chancellor, Adolf Hitler, that is, 'concentration camp' is high tension humor, lest the submarine of the woman's penis surface again to torpedo the fiction that men are seriously moral creatures. Basil Fawlty might as well have said, 'Don't mention the penis, I think I got away with a war.' In Judaism it isn't possible to be born a Jew unless born from a woman, that is, women are Jews, because women's futanarian humanity are the 'chosen people' of the Old Testament of the Bible, which was the Torah and Talmud, as the history and law of the Jews, before Jesus' New Testament teaching that God is 'love'. Christianity superceded the Old Testament law of impermissibility and made way for what the 20th century called 'The Permissive Society' of the 1960s, which was a pre-HIV/AIDS social framework of broken sexual taboos. When the HIV/AIDS' virus resulted from men's mixing of blood, shit and semen in each others' anuses in mockery of humans' sexual reproduction it represented the viral life form's rejection of the human host womb in favor of 'parasitoid' behavior, which God had warned Eve against, when telling her that her 'seed' would have 'enmity' with the serpent's:

'Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.' (Rev: 16. 11)

What they'd done was prefer host womb enslavement for homosexuality in pederasty and 'biological warfare' against the human race of futanarian 'woman's seed' to supplement 'conventional engagements'. The single male brain of supposedly heterosexual couples lived as a transvestite wearing each others' clothes for conventional 'TV' wars. Meanwhile, homosexuality in pederasty was preparing to marry death on behalf of the human species . It was Satanism's response to Christianity's belief in the marriage of 'the lamb', Jesus, with his 'bride', the church.

Before Jesus' crucifixion, after his 'Last Supper', as the human host with his disciples, Jesus gave 'bread and wine', as symbols of his 'body and blood', but the disciple Judas betrayed his fellowship to the male brained Empire of Rome as a 'dissident' futanarian. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus represented a threat to the single male brained hegemony of the Roman Empire. Consequently, Judas betrayed the human host of future futanarian women's humanity. Taken to the hill of Calvary outside Jerusalem, Jesus was nailed to a cross of wood where he died. Afterwards, Jesus had Resurrection and Ascension to heaven, so prefiguring that of 'woman's seed', that is, the undamning of the Earth's human species' capacity to sexually reproduce liberating brainpower, which is depicted in Revelation as the marriage of 'the lamb' with the 'bride'.

The owner of the Fawlty Towers hotel in the BBC TV 'sitcom' was actor, John Cleese, who was extending his career in film and television after being a part of BBC TV's Monty Python's Flying Circus (1969-74) irreverent comedy sketch team of writers and performers that subsequently made a 'camp' film about a Jewish Messiah very similar to Jesus', The Life Of Brian (1979), 'What Jesus blatantly fails to appreciate is that it's the meek who are the problem.'4 Because women's futanarian humanity represent God's 'love', as the sexual reproduction of human brainpower for liberation throughout the stars and planets, 'Blessed are the meek: for they shall inherit the Earth.' (Matt: 5. 5) Satanists don't want women's futanarian humanity to have the 'new heaven and Earth', which God promised to the good, as the evil are represented in Revelation as having eternal unendurable pain as God's punishment, that is, perdition, because they're the homosexual devourers of humanity.

Political correctness makes it difficult to condemn pederasty, although God's angels destroyed the 'cities of the plains', Sodom and Gomorrah (Gen: 19. 18), which were a byword for sodomy and sexual perversion in the Bible, after agonizing over the decision about as much as President Truman when the US dropped 'Little Boy' and 'Fat Man' on Hiroshima and Nagasaki, that is, the Japanese 'cities of the planes', Enola Gay and Bock's Car, on 6 and 9 August, 1945. When the Al Qaeda terrorists operating out of Afganistan under the auspices of the notoriously misogynist Taliban regime hijacked planes to crash into the Twin Towers of the World Trade Centre on September 11, 2001, New York city was the 'city of the planes', and 'rough trade', that is, the 'brutality and violence'5 associated with homosexuality in pederasty and war against 'woman's seed' was reestablished.

'PC' is based on 'moral grounds' and it's 'politically correct' to equate women with homosexuality in order to confer equality with men. However, the basis for the four wife marriages of Islam is Abraham's wife Sara's barrenness, after she gave birth to the founder of Judaism, Isaac, because Sara gave to Abraham her maid, Hajer, who bore a second son, Ishmael, who was the founder of Islam through his descendant, the Prophet Mohamed. Although the basic principle of Christianity is monogamy, Islam's principle is polygamy based on Ishmael's legitimacy. Because women's futanarian species is capable of liberating damned humanity's brainpower through sexual reproduction within the Moslem four wife family, US 'political correctness' equating women with homosexuality is an attack on the human race. The democratic 'split' within the Moslem marriage is 80% to 20% in favor of women without considering men can't sexually reproduce without women and so constitute 0% of the human species in terms of democracy. Consequently, Jesus' teaching was repentance and conversion through metanoia, or brain transformation, and the acceptance of 'woman's seed' through the teachings of the Holy Spirit that would teach humanity after his death, Resurrection and Ascension to heaven. In short, he thought they'd get the idea eventually.

Roman 'camp' became Nazi 'camp' after the Italian leader, who was elected in 1922, Benito Mussolini, adopted the fasces, which was the symbol of Roman authority, that is, a bundle of rods with an ax, as the symbol of authority of fascism, which was adopted by Germany's Adolf Hitler, whose 'concentration camp' pogroms of the Jewish 'chosen people' were built on the idea that the people should be blind to what Rome did. Originally, the sticks and the ax were symbols of the general who'd be surrounded by a fence constructed from wood cut by the ax. Other people couldn't see what he planned for the army to do. The 'concentration camp' arose out of Adolf Hitler's Nazis' determination that people shouldn't know what they did in their pogroms against the Jews. Later planners used the concept of the ax and the rods of the eyes, which are the light receptors determining what the individual is able to see, as a metaphor for the literal blinding of people to prevent their knowing what their leaders did, and by the early 21st century almost everyone was accused of being a spy as paranoia grew amongst the human population governed by 'parasitoid' contollers, who didn't want people to see that they were aliens.

Although internet censorship of pornography was largely a matter of individual taste, what existed of futanarian 'edutainment' was sex between men, and futanarian women with their own penis to emphasize male braining and 'parasitoid' enslavement of the human host womb. Northrop Frye's literary types' classification, 'low comedy', applies. The subversion of science fiction to ridicule 'woman's seed' is repeated in pornography. During the Bosnian war (1992-5) 'rape camps' were constructed by Serbian Christian militia in which upwards of 70,000 Moslem women were incarcerated while a generation of children were male brained through 'parasitoid' host womb enslavement of Moslems in futanarian Islam by fascist Christians who didn't want children to see with human eyes. Although sexual intercourse between futanarian women and women is better 'edutainment' and more logical, men's desire to emphasize their role as humanity's host womb enslavers in Satanism for the devourment of the human race in warfare against 'woman's seed' results in pornography, that is, men's entertainment is low 'camp' comedy, because it's a variation on the 'camp humor' theme of women ridiculed as the host womb slaves of 'parasitoids' lest they escape.

The obfuscatory element within the Star Trek franchise is the alien. Actress Jeri Ryan's character was born Annika Hansen, Stardate 25479, before her family was 'assimilated' by the Borg 'collective' when she was four during a journey into deep space aboard the Starfleet vessel, USS Raven, to research the unknown species, and before Annika's subsequent role with the Borg as Seven of Nine, Tertiary Adjunct of Unimatrix Zero-One, which preceded her role with Starfleet aboard the USS Voyager. Although a role with Starfleet as a former Borg 'drone' seems Redemption for Annika Hansen, Seven of Nine's Jeri Ryan is the beautiful human actress designated 'alien' by the makers of the 'TV' science fiction drama, because she's a member of the Borg 'collective'. However, a single species' family is what sexually reproducing futanarian women is. Consequently, women are a 'collective', whereas the Borg is depicted as an alien creature looking to survive by means of 'spare part' surgery as it 'assimilates' other species. Although the Borg 'collective' is closer to US' procedures for intervention surgery in the case of futanarian birth to determine for the individual which gender they'll be, male or female, it's Jeri Ryan who's essentially depicted as a part of the alien Borg 'tranny', whereas she's the species' representative for women's futanarian humanity.

Redemption for Annika Hansen isn't to be found within the family of man, although men might find Redemption from Satanism through the family of women if they accept Jesus' teaching that God is 'love', rather than construct aliens in their image to perpetuate the myth that they're defending 'woman's seed' from an external invader as they wage war against her 'remnants' (Rev: 12. 17). In the 'spoof' science fiction movie, Mars Attacks (1996) there are scenes of riotous violence in which invading green Martians annhilate some of the more beautiful places of the Earth, like the Taj Mahal in the city of Agra, which is the tomb of Mumtaz Mahal, wife of the Indian Mogul, Shah Jehan. The 8th century collection of folktales, 1001 Nights, has the beheading of Shah Jehan's faithful wife for unfaithfulness with his brother as the framing device for the tales told by Scheherezade to Shah Jehan, whose practice after his wife's beheading was to take a new bride each day and behead her each evening. Scheherezade saved the women by keeping Shah Jehan interested in her narratives and he married her. The joke is that women are brainless without futanarian human sexual reproduction between them, but the male brained Empire of men represented by the green Martian invaders behaves as if it's brainless.

Actress Sarah Jessica Parker is ridiculed as a woman talk show host, Nathalie Lake, when the Martians capture her and give her beautiful body the head of her pet chihuahua, Poppy, while the dog is given the beautiful head of Sarah Jessica Parker, which is 'low camp' humor, because it's men's, that is, Shah Jehan didn't lose anything. The Taj Mahal is a mausoleum, which would be a retirement home if humans were immortal. Consequently, Shah Jehan's beheading of his wife is symptomatic of men's desire that women should be ephemeral slaves in brainless parasitism, which is why the scene of the green Martians' devastating the Taj Mahal is 'high camp' for adults who understand that the Earth is women's 'death camp', whereas it's 'low camp' for those who laugh at scenes of green Martians being riotously violent, because they like it that that's how men are towards women. Men are the aliens in science fiction, because women's futanarian humanity's absent from world literature, that is, because there aren't any futanarian women, there aren't any humans to resist the alien pogrom.

Mass media 'edutainment' is chauvinist misogyny carefully censored to void the information system of educational content that might assist women to know the truth. Cinema and 'TV' represent 'low camp' and 'high camp' humor for adults who are able to laugh at what they're conditioned to see as funny, but also those adults who're able to see that the media is a 'concentration camp' designed to divert attention away from the fact that men have eaten the woman's penis and don't want her to remember it. Smoking cigarettes down to the butt is symbolic of homosexuality in pederasty's celebrated extinguishment of 'woman's seed'. In gangland 'smoking' is a euphemism for fellatio and murder, because futanarian women have larger penis. The woman who smokes cigarettes is the butt of the mockers' joke, because she's a self-smoker. In short, the tobacco industry is Satanical, because ground tobacco is 'snuff' to be inhaled, while 'snuff films' are taboo on 'moral grounds', because they're the filmed torture and murder of real lives for entertainment. Consequently, ground tobacco isn't morally ground, because smoking and 'snuff' represent the planned extinction of the race of futanarian human women.

Low comedy is the perception that an individual is smoking themsleves to death, whereas high comedy is the understanding that the butt of the joke can't enjoy it in her absence. In other words, 'low comedy' and 'high comedy' is how men laugh at human extinction after subverting the comedic medium, that is, 'gentle medium' comedy is extinct, because it's God's 'golden rule' that women and humans shouldn't be extinguished as the butt of the Satanists' joke. Sarah Jessica Parker is given the head of her chihuahua, Poppy, because that's how heroin is made, from poppy seeds, that is, Nathalie Lake, isn't 'woman's seed', which produces heroines. After the First World War (1914-18) against the male brained Empire of Germany's attempt to enslave the Earth, the poppy was adopted as a symbol of memory because it grew upon the battlefields where the slain died, and was first worn in 1921 in remembrance of US' heroes:

'Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields.'6

In Mars Attacks Sarah is given the head of her chihuahua, Poppy, because the 'seeds' of the flowers of the ephemeral poppy heads are brainless, that is, Sarah is some heroine for smoking, because she's perforce a Hollywood, Babylon, 'snuff movie' star. The joke is that 'woman's seed' is extinct, and so there can't be another flowering, because women don't have their own brains, and so are headless 'buppies', that is, babes' breasts, who won't be remembered either, because their heroes are for heroine smoking. Although the poem, 'In Flanders Fields' (1915) by John McCrae, inspired the wearing of poppies on November 11 as a remembrance, for 'snuff movie' Holywood, Babylon, the 'torch' of the statue of Liberty is a match for any heroine who wants a well read drag on some Revelation:

'Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!'7

The biblical Revelation is the simple observation that men are for extinguishing human life unless they convert and accept Jesus' teaching of God's 'love' and 'woman's seed': 'And the dragon stood before the woman who was ready to give birth, to devour her child as soon as it was born.' (Rev: 12. 4) From the perspective of the 'snuff movie' industry, a woman is a cigarette having another dragon. Consequently, when Iraq was given over to Bakr Al Baghdadi, it was the bag of all daddy's to Bakr,8 that is, morally ground 'snuff movies' live on CNN and other 'TV' networks developed for 'TV wars' for the 'edutainment' of the alien watchers of human extinction:

'The battle in which you are locked today is the mother of all battles.'8

Saddam Hussein's speech on the subject of Iraq's invasion of Kuwait in 1990 was correct. When he gave his televised support to Al Qaeda the US army invaded Iraq in March, 2003, after deposing the Taliban regime in Afghanistan in December, 2001. After Saddam Hussein's execution on December 30, 2006, Iraq's Bakr Al Baghdadi joined with Syrian rebels to form an Independent State of Iraq and Syria with the acronym, ISIS, because she was the goddess of ancient Egypt famous for remembering the penis of the god Ra after Ra was incarnated upon the Earth as Osiris, who was dismembered by his evil brother, Set, but whose penis was remembered by the goddess, Isis, and so Ra was restored but transformed as the 'sky god', Horus. In symbolic terms, Horus has a woman's penis, which was the best that the ancient Egyptians could depict in terms of a symbolic solution to the problem posed by men's Empire of male braining for the extinction of 'woman's seed' in warfare against women's futanarian human race.

Because Hollywood, Babylon, engineered male braining, Saddam Hussein's palace at Hillah overlooking the ruins of Babylon, capital city of the ancient Empire of Persia, was a symbol of the 'snuff' Empire of Hollywood, Babylon. Bakr Al Bagdadi's ISIS is 'the mother of all battles' from the perspective of the bag daddy of all tobacco, that is, British American Tobacco (BAT), which doesn't want the contents of the sack of women's futanarian humanity to be anything other than smoked symbolically. Consequently, the women of Islam in Moslem nations might 'bat' their eyes at each other, but there isn't anything for them beneath the one-piece coveralls of the black abiyahs that are the 'sackcloth and ashes' (Matt: 11. 21) of their race's mournfulness,9 because BAT is America's baseball, that is, a hit by the bat out of home ground is a run, so the threat posed by Al Qaeda, 'the base', to America's Homeland Defense, when civil planes were hijacked to crash into the Twin Towers of the World Trade Centre in New York city, was met with the moral BAT on home grounds, that is, women's futanarian humanity represented a threat to the extinguishing male brained Empire of the US, and so Osama Ben Laden, leader of Al Qaeda, Iraq's dictator, Saddam Hussein, and Bakr Al Baghdadi, leader of ISIS, were giving the US cinema and 'TV' moguls, who thought they'd finished planning the documentary of their 'snuffing' of the human race, something to do. The eyelashes of the women of Moslem Islam had something in reserve for the BAT till in the amphitheatre, although their 'babe' plan was that the women of Islam wouldn't be expecting to have any balls for the 'pitchers':

'Do not urge me to leave you or to return from following you. For where you go I will go, and where you lodge I will lodge. Your people shall be my people, and your God my God. Where you die I will die, and there will I be buried. May God do so to me and more also if anything but death parts me from you.' (Ruth: 1. 16-17)

Babe Ruth was the baseball hero of the US who was a renowned pitcher, for the Boston Red Sox (1914-19), and bat for the New York Yankees (1920-34), whereas Ruth in the Bible was renowned as the Moabite woman who preferred to follow the Jewess, Naomi, rather than return home. Although Ruth married a man, the meaning is evident. Jews are born only from women, because the 'chosen people' are women, and Naomi wanted to bear women. However, from a racist perspective, Ruth won't be expecting any balls, and won't receive any pitchers, because Babe Ruth's don't have penis of their own, that is, the pictures with the babes made by Hollywood, Babylon, aren't Revelation, although the West is fooled into believing it is. The women beneath their abiyahs in Islam don't reveal their belief publically, while for them Babe Ruth is a pitcher that once came with some smokes that they had to pay for at the BAT till with the legendary vampire, 'red dragon'. Although the Americans would have humans believe their superhero is, 'The Batman', Jesus' Holy Spirit hadn't yet influenced the scriptwriter's:

'Holy Smokes!'10

Although the 'DC' Detective Comics featuring the artwork, commonly refer to the character as 'Batman', many of the other characters, like his arch-enemy, 'Joker', refer to 'The Batman', while Robin's 'high camp' perception in the Batman and Robin (1966-68) TV series that he's a hero with the BAT man represents his ambivalent role within US 'pop' culture as a scriptwriter's 'snuff' icon whose 'bag' it is to ejaculate, Holy Smoke!' Although Burt Ward, the actor in the role of Robin, had scriptwriter's dialogue, his career was tainted by the Batman and Robin 'snuff' theme of the British American Tobacco (BAT) man with the red robin as his 'sidekick', symbolizing the 'gay' butt of the manufacturer's glowing cigarette advertiser's end joke. Adam West, in the role of 'The Batman', was symbolically the man with the BAT, that is, British American Tobacco, which gave its victims the addictive 'blows' they received, until the weakened paid for their blows in sado-masochistic acceptance of their role as 'snuff' extras for the industry created to worship the alien extinguishers of humanity.

In Christianity, the robin is the bird believed to have received a wound to the heart, when removing the crown of thorns placed upon the head of Jesus by the Romans in mockery of the Jews' claim that he was 'Lord', which mocked the Jews' status as 'chosen', because their women were the 'remnants' of 'woman's seed', that is, women's futanarian humanity. The Jews' tradition extended through the four wife families of Moslem Islam, which Christian preoccupations with the faithfulness represented by monogamy had enwraithed in slavery of the human host womb to its ring, that is, homosexuality's 'biological wepaon' of HIV/AIDS keeps women in fearful faithfulness to pederasty for war, whereas polygamous Moslem Islam represents an afforded opportunity for the balanced liberation of human brainpower through sexual reproduction between women.

The robin is a figure of Jesus for children, because they can't understand 'Christ's Passion', which is based on his crucified role as a human offended by men's extermination of the 'chosen people', that is, women. In simple terms, Jesus is born uncontaminated from his mother, the Virgin Mary, which means he's sympathetic to the futanarian species of women that don't need men's semen for the sexual reproduction of their own brains' powers to liberate womenkind from men's 'snuff movie' that they've been taught to accept as human socio-economic history, whereas that's the symptoms of an alien transvestite male braining for 'TV' as its entertainment pogrom. The robin represents those humans who have humanity and are human in the sense of humane and don't want others to experience pain, which is a good definition of 'human' and applicable to all intelligent creatures, whereas men define women as alien in order to depict extraterrestrial life forms as 'probationers.' In other words, having consigned the human futanarian species of 'woman' to the ashcan of 'snuff' history, the serpent grown to a drag on everything's resources wants to define what doesn't look like its idea of human as exterminatable. The term 'probation' is used to describe criminals, or trainees, whose release or worthiness, has yet to be approved, which means that, whether it appears human, or is extraterrestrially different, as Jeri Ryan's Seven of Nine is, it can never meet with the supposedly xenophobic alien vampires' approval, and so will be exterminated in the course of the 'snuff' pogrom its Empire wages.

Jesus' Resurrection and Ascension to heaven after his death at the hands of Rome's crucifiers represents Christ's protest and vindication, whereas the alien teaches that torture is redemptive. Jesus' futanarian heritage could sexually reproduce brainpower to balance the male brained Empire until peace reigns instead of the psychopath. The science of forensic psychopathology is based on the perception that a murderer's psychology is different, that is, the killer takes a different path, which is why Jesus went to Jerusalem, although he could have taken a different path, because female brains are conditioned to be victims and Jesus was born without a male brain, which is why the Romans killed him:

'Surely, this was the son of God.' (Matt: 27. 54)

The doubt over whether Jesus had a male brain or a female brain is moot, but it's the reason why he was murdered by Roman psychopathy, because women's futanarian humanity's brainpower is human 'woman's seed', whereas the male brained Empire of Rome is alien in Satanism and Jesus' success as a 'miracle' healer was a threat to the 'serpent's seed' as it suggested women's minds were superior to the 'snuff' Empire's. The Roman Empire collapsed and was replaced by the Holy Roman Empire's espoual of Christianity, because of a slave, Spartacus (111-71 B.C.), whose life story was related in the Hollywood, Babylon movie, Spartacus (1960), which starred Kirk Douglas as Spartacus, who led a slave rebellion. After the Romans crucified all of the rebels along the Via Appia from Rome to Capua they converted. However, subsequent Christians were taught to confuse Jesus' torture to death with conversion, that is, the rebel is dead, and the Romans are converts.

Christianity wasn't predominant until the conversion of the Roman Emperor, Constantine (306-337 AD), and persecution of Christianity was succeeded by Christian persecutions, because Christians were taught that the torturer succeeded in converting. Or, in other words, the torturers needed more victims to convert from torture, which is what women's female brains learned. Consequently, Jesus' appearance as a female brained man, who didn't want to teach 'woman's seed' to accept victimization, threatened the sadistic premise that female brains wanted to accept torture so that the torturer would be converted. Christians were taught to believe that torturers should convert, which meant a lot more torture. However, pragmatists kill torturers, which is best.

Redemption presupposes acceptance of 'woman's seed', that is, women's futanarian humanity, which merits forgiveness. As Jesus' death, Resurrection, and Ascension after crucifixion precedes that of 'woman's seed', Redemption is acceptance of 'woman's seed', rather than forgiveness of the torturer from the tortured. Christians are confusedly taught that Jesus suffered much pain in order to redeem, that is, 'Christ's Passion' was for the torturer to convert, and so more female brained sado-masochistic victims are needed for Christian torturers, which is what the female brains of 'woman's seed' amongst the 'chosen people' of women's futanarian humanity in Judeo-Islam are for from the point of view of Christianity as espoused by the US' 'snuff' Empire of Hollywood, Babylon's pogromers.

The science fiction TV series rivalling Star Trek was Babylon 5 (1993-8), which was about the crew of a space station and the makers of Star Trek responded with Star Trek : Deep Space 9 (1993-9). Although the principle was that of alien races existing alongside humans, the unstated theme was the attraction held by actresses in the role of alien females for viewers, because human women's futanarian humanity's sexual reproduction with each other was effectively prohibited on Earth, that is, the more attractively alien the women appeared to the viewing audience, the greater the distance appeared to the planets and stars for 'woman's seed'. In simple terms, alien women weren't acceptable as being sexually desirable to men, because women hadn't ever been sexually desirable to them, but had been the enslaved host womb in Satanism's parasitism on Earth. Consequently, the concept of the female alien was being prepared as the new host womb for the 'serpent's seed' of the 'red dragon' of men's devouring 'parasitoid' anti-nature. Sexual orientation, and especially same-sex 'lesbian' relations was a theme of Babylon 5. The relationship between actress Andrea Thompson's character, Talia Winters, a telepath, and the station's second in command, actress Claudia Christensen's character, Susan Ivanova, gave Babylon 5 a sociological superiority in terms of its 'TV' ratings war. Although the makers of DS9 did feature a feminist rebellion on the Ferengi homeworld, led by the female Ferengi, Ishka. The women in the rubber masks, actress Andrea Martin (Season 3), and Cecily Adams (5-7), represent the perception that human sexuality isn't form determined, or even determined by unique individuality, that is, all females are determinedly human, because they're a generic futanarian single species' family, which is evident despite men's prohibitions against the female form. In simple terms, the Ferengi women are human women in rubber masks, but if the Ferengi females were real, they'd still be human by definition, that is, having humanity and being humane, which is the meaning of the portrayal for all intelligent females, who're taught that they can't sexually reproduce with each other.

Racism and xenophobia is the belief that it's only intelligent if it's a man. Satanists are often male brained women, who're xenophobic and racist towards women's futanarian humanity, because they've been usurped. The truth is that entertainment and education through the 'edutainment' mass media defines the human as alien in order to extinguish 'woman's seed' in the drag on smokes 'snuff movie' starring Talia, Susan and Ishka, or whichever females can be found to accept victimization. Jesus' teaching was that he was female from the torturer's perspective, and all life is. Conversion through metanoia, which is brain transformation, is depicted in Christianity as necessary through the petitioner's acceptance of the 'bread and wine', as symbols of Jesus' 'body and blood', from the officiate.

Otherwise the Satanists will torture all life forever in revenge for Christians' believing that God decreed punishment for the evil as eternal unendurable pain, which is 'perdition'. Consequently, Christians are the enemies of Satanists, who believe they torture because they like to, whereas Christians believe that people are tortured to convert the torturers, that is, it's low and high 'camp' comedy for humans who're concentrated on the Earth, because the slaves tortured by the aliens don't like the fact that they aren't immortal, but are doomed to extinction by aliens, who'd rather spend 1 billion US$ on keeping B1 'Spirit' bombers in the air than attempt to understand Jesus' teaching of the Holy Spirit, which would convert them into accepting liberating labor saving devices and medical science conferring immortality, thanks to the human brainpower produced through women's futanarian sexual love for themselves, rather than the wholly ghosts left by the B1s in the US' 'TV wars'12 against the Islamic Extremism it'd created as 'snuff' to further the unholy Empire of Hollywood, Babylon.


1 http://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping

2 'Scorpion', Part II, Star Trek: Voyager, Season Four, Episode 1, September 3, 1997.

3 Cleese, John as Basil Fawlty in 'The Germans', Episode 6, Season 1, Fawlty Towers, (1975-9), BBC TV, October 24, 1975.

4 Cleese, John as Reg in The Life Of Brian, HandMade Films, Python (Monty) Pictures, 1979 .

5 http://www.merriam-webster.com/dictionary/rough%20trade .

6 McCrae, John, 'In Flanders Fields', May 1915.

7 Lazarus, Emma 'The New Colossus', 1883.

8 Hussein, Saddam, January 6, 1991.

9 The ancient Hebrew custom of indicating humility before God by wearing a coarse cloth, normally used to make sacks, and dusting oneself with ashes.

10 Bianculli, David, 'Holy Smokes 'Batman', The '60s Series Is Out On DVD', November 17, 2014, 1:18 PM, http://www.npr.org/templates/transcript/transcript.php?storyId=363550163 .

11 Sinclair, David 'Gay, Lesbian & Bisexual Star Trek', September 6, 2009.

12 Kellner, Douglas, The Persian Gulf TV War Revisited, 1992, https://pages.gseis.ucla.edu/faculty/kellner/papers/gulfwarrevisited.htm .

CONTENTS


View My Stats